![]() ![]() “It could be from anywhere,” Nina tells a TV interviewer, for her jewelry, worth a fortune, is big news. ![]() ![]() The door begins to open just a little when a piece of jewelry that completes a set arrives at her door. I miss the way it felt to dance.” As the book opens, now in the rueful twilight of her life, a young art appraiser, Drew Brooks (“these American girls, going around with men’s names,” grumbles Nina), is helping Nina prepare her collection of amber and jewelry for sale, irreverently quizzing the exceedingly grumpy prima ballerina about the past. “You must miss dancing,” that woman says, to which Nina replies, “Every day I miss it. But that is in the past, for Nina has been living in Boston for years, alone with her thoughts, practically alone except for a West Indian woman who comes to cook for her. Her other friends in Stalinist Russia were less subtle, numbering a few figures, such as a sardonic dissident composer, who fairly screamed to disappear into the Gulag in that unforgiving time. Her lover, the poet Viktor Elsin, was “subtle,” that damning term of Doctor Zhivago, meaning suspect, though managing most of the time to slip past the censors. Nina Revskaya was one of the privileged ones in the old days as a lead ballerina in the Bolshoi, she was allowed to travel, to mix with foreigners, to taste some of the better things in life. ![]() Sweeping transgenerational novel, short-story writer Kalotay’s ( Calamity and Other Stories, 2005) first, of the Soviet era and its discontents. ![]()
0 Comments
Leave a Reply. |